Movie Review: Gorgo 1961

I’ve featured the first two of Eugène Lourié’s “Sea Monster” films, so it’s time to talk about the last and most spectacular of them. It’s the one with the biggest budget, but surprisingly the most kid-friendly of them. While not a stop motion film, it made up for it with one of the most elaborate suitimation monsters and sets. Ladies and gentlemen, I give you 1961’s British kaiju epic Gorgo.

Gorgo was not only third and last of Lourie’s directorial efforts, but also the last and third time a dinosaur wrecked London.  The transition from stop-motion to suitimation didn’t phase Lourie’s eye for art, but it was a sign of the times. While King Kong’s re-release and the Beast From 20,000 Fathoms ignited Ray Harryhausen’s career, their progeny Godzilla’s success showed that it could be done with a smaller budget with the right kind of effects team and director.

Paleoanthropology vs Sasquatch: the obligatory cryptozoology post

Two of my inspirations for this little blog are Dr. Darren Naish’s Tetrapod Zoology  and youtuber Treytheexplainer  If you follow them (and you really should), you’ll notice they’re interested in the quasiscience of cryptozoology. Cryptozoology is the analysis and speculation on evidence of previously unknown species of organisms. It can also apply to the study of out-of-context finds of known taxa in new times and places.  “Cryptids”, known from all forms of inconclusive evidence, include everything from mythical monsters to prehistoric survival speculation to simply animals of known clades that can’t be verified as a specific taxon.  Like the aforementioned personalities, I think cryptozoology does deserve attention, albeit critical. In college, I was trained in anthropology, and that combines with my knowledge of zoology and paleontology to provide a pretty unique perspective I would say.